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UMH 623: Here, O My Lord, I See Thee 6 Jun 2010 |

Here, O my Lord, I see thee face to face;
here would I touch and handle things unseen;
here grasp with firmer hand eternal grace,
and all my weariness upon thee lean.

This is the hour of banquet and of song;
this is the heavenly table spread for me;
here let me feast, and feasting, still prolong
the hallowed hour of fellowship with thee.

Here would I feed upon the bread of God,
here drink with thee the royal wine of heaven;
here would I lay aside each earthly load,
here taste afresh the calm of sin forgiven.

Too soon we rise; the symbols disappear;
the feast, though not the love, is past and gone.
The bread and wine remove; but thou art here,
nearer than ever, still my shield and sun.

Feast after feast thus comes and passes by;
yet, passing, points to the glad feast above,
giving sweet foretaste of the festal joy,
the Lamb's great bridal feast of bliss and love.

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UMH 465: Holy Spirit, Truth Divine 5 Jun 2010 |

Holy Spirit, Truth divine,
dawn upon this soul of mine;
Word of God and inward light,
wake my spirit, clear my sight.

Holy Spirit, Love divine,
glow within this heart of mine;
kindle every high desire;
perish self in thy pure fire.

Holy Spirit, Power divine,
fill and nerve this will of mine;
grant that I may strongly live,
bravely bear, and nobly strive.

Holy Spirit, Right divine,
King within my conscience reign;
be my Lord, and I shall be
firmly bound, forever free.

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Chapter 18 24 May 2010 |

Or, rather—here I am. I am in Rome, and I am in trouble. The goons of Depression and Loneliness have barged into my life again, and I just took my last Wellbutrin three days ago. There are more pills in my bottom drawer but I don't want them. I want to be free of them forever. But I don't want Depression or Loneliness around, either, so I don't know what to do, and I'm spiralling in panic, like I always spiral when I don't know what to do.

- An excerpt taken from Eat, Pray, Love by Elizabeth Gilbert

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Chapter 17 |

I'd stopped taking my medication only a few days earlier. It had just seemed crazy to be taking antidepressants in Italy. How could I be depressed here?

I'd never wanted to be on the medication in the first place. I'd fought taking it for so long, mainly because of a long list of personal objections (e.g: Americans are overmedicated; we don't know the long-term effects of this stuff yet on the human brain; it's a crime that even American children are on antidepressants these days; we are treating the symptoms and not the causes of a national mental health emergency…). Still, during the last few years of my life, there was no question that I was in grave trouble and that this trouble was not lifting quickly. As my marriage dissolved and my drama with David evolved, I'd come to have all the symptoms of a major depression—loss of sleep, appetite and libido, uncontrollable weeping, chronic backaches and stomachaches, alienation and despair, trouble concentrating on work, inability to even get upset that the Republicans had just stolen a presidential election…it went on and on.

When you're lost in those woods, it sometimes takes you a while to realise that you
are lost. For the longest time, you can convince yourself that you've just wandered a few feet off the path, that you'll find your way back to the trailhead any moment now. Then night falls again and again, and you still have no idea where you are, and it's time to admit that you have bewildered yourself so far off the path that you don't even know from which direction the sun rises anymore.

I took on my depression like it was the fight of my life, which, of course, it was. I became a student of my own depressed experience, trying to unthread its causes. What was the root of all this despair? Was it psychological? (Mum and Dad's fault?) Was it just temporal, a "bad time" in my life? (When the divorce ends, will the depression end with it?) Was it genetic? (Melancholy, called by many names, has run through my family for generations, along with its sad bride, Alcoholism.) Was it cultural? (Is this just the fallout of a postfeminist American career girl trying to find balance in an increasingly stressful and alienating urban world?) Was it astrological? (Am I so sad because I'm a thin-skinned Cancer whose major signs are all ruled by unstable Gemini?) Was it artistic? (Don't creative people always suffer from depression because we're so supersensitive and special?) Was it evolutionary? (Do I carry in me the residual panic that comes after millenia of my species' attempting to survive a brutal world?) Was it karmic? (Are all these spasms of grief just the consequences of bad behaviour in previous lifetimes, the last obstacles before liberation?) Was it hormonal? Dietary? Philosophical? Seasonal? Environmental? Was I tapping into a universal yearning for God? Did I have a chemical inbalance? Or did I just need to get laid?

What a large number of factors constitute a single human being! How very many layers we operate on, and how very many influences we receive from our minds, our bodies, our histories, our families, our cities, our souls and our lunches! I came to feel that my depression was probably some ever-shifting assortment of all those factors, and probably also included some stuff I couldn't name or claim. So I faced the fight at every level. I bought all those embarrassingly titled self-help books (always being certain to wrap up the books in the latest issue of Hustler, so that strangers wouldn't know what I was really reading). I commenced to getting professional help with a therapist who was as kind as she was insightful. I prayed like a novice nun. I stopped eating meat (for a short time, anyway) after someone told me that I was "eating the fear of the animal at the moment of its death." Some spacey new age massage therapist told me I should wear orange-coloured panties, to rebalance my sexual chakras, and, brother—I actually did it. I drank enough of that damn Saint-John's-wort tea to cheer up a whole Russian gulag, to no noticeable effect. I exercised. I exposed myself to the uplifting arts and carefully protected myself from sad movies, books and songs (if anyone even mentioned the words Leonard and Cohen in the same sentence, I would have to leave the room).

I tried so hard to fight the endless sobbing. I remember asking myself one night, while I was curled up in the same old corner of my same old couch in tears yet again over the same old repetition of sorrowful thoughts, "Is there anything about this scene you can change, Liz?" And all I could think to do was stand up, while still sobbing, and try to balance on one foot in the middle of my living room. Just to prove that—while I couldn't stop the tears or change my dismal interior dialogue—I was not yet totally out of control: at least I could cry hysterically while balanced on one foot. Hey, it was a start.

I crossed the street to walk in the sunshine. I leaned on my support network, cherishing my family and cultivating my most enlightening friendships. And when those officious women's magazines kept telling me that my low self-esteem wasn't helping depression matters at all, I got myself a pretty haircut, bought some fancy makeup and a nice dress. (When a friend complimented my new look, all I could say, grimly, was, "Operation Self-Esteem—Day Fucking One.")

The last thing I tried, after about two years of fighting this sorrow, was medication. If I may impose my opinions here, I think it should always be the last thing you try. For me, the decision to go the route of "Vitamin P" happened after a night when I'd sat on the floor of my bedroom for many hours, trying very hard to talk myself out of cutting into my arm with a kitchen knife. I won the argument against the knife that night, but barely. I had some other good ideas around that time—about how jumping off a building or blowing my brains out with a gun might stop the suffering. But something about spending a night with a knife in my hand did it.

The next morning I called my friend Susan as the sun came up, begged her to help me. I don't think a woman in the whole history of my family had ever done that before, had ever sat down in the middle of the road like that and said, in the middle of her life, "I cannot walk another step further—somebody has to help me." It wouldn't have served those women to have stopped walking. Nobody would have, or could have, helped them. The only thing that would've happened was that they and their families would have starved. I couldn't stop thinking about those women.

And I will never forget Susan's face when she rushed into my apartment about an hour after my emergency phone call and saw me in a heap on the couch. The image of my pain mirrored back at me through her visible fear for my life is still one of the scariest memories for me out of all those scary years. I huddled in a ball while Susan made the phone calls and found me a psychiatrist who would give me a consultation that very day, to discuss the possibility of prescribing antidepressants. I listened to Susan's one-sided conversation with the doctor, listened to her say, "I'm afraid my friend is going to seriously hurt herself." I was afraid, too.

When I went to see the psychiatrist that afternoon, he asked me what had taken me so long to get help—as if I hadn't been trying to help myself already for so long. I told him my objections and reservations about antidepressants. I laid copies of the three books I'd already published on his desk, and I said, "I'm a writer. Please don't do anything to harm my brain." He said, "If you had a kidney disease, you wouldn't hesitate to take medication for it—why are you hesitating with this?" But, see, that only shows how ignorant he was about my family; a Gilbert might very well notmedicate a kidney disease, seeing that we're a family who regard any sickness as a sign of personal, ethical, moral failure.

He put me on a few different things—Xanax, Zoloft, Wellbutrin, Busperin—until we found the combination that didn't make me nauseated or turn my libido into a dim and distant memory. Quickly, in less than a week, I could feel an extra inch of daylight opening in my mind. Also, I could finally sleep. And this was the real gift, because when you cannot sleep, you cannot get yourself out of the ditch—there's not a chance. The pills gave me those recuperative night hours back, and also stopped my hands from shaking and released the vice grip around my chest and the panic alert button from inside my heart.

Still, I never relaxed into taking those drugs, though they helped immediately. It never mattered who told me these medications were a good idea and perfectly safe; I always felt conflicted about it. Those drugs were part of my bridge to the other side, there's no question about it, but I wanted to be off them as soon as possible. I'd started taking the medication in January of 2003. By May, I was already diminishing my dosage significantly. Those had been the toughest months, anyhow—the last months of the divorce, the last ragged months with David. Could I have endured that time without the drugs, if I'd just held out a little longer? Could I have survived myself, by myself? I don't know. That's the thing about a human life—there's no control group, no way to ever know how any of us would have turned out if any variables had been changed.

I do know these drugs made my misery feel less catastrophic. So I'm grateful for that. But I'm still deeply ambivalent about mood-altering medications. I'm awed by their power, but concerned by their prevalence. I think they need to be prescribed and used with much more restraint in this country, and never without the parallel treatment of psychological counselling. Medicating the symptom of any illness without exploring its root cause is just a classically hare-brained Western way to think that anyone could ever get truly better. Those pills might have saved my life, but they did so only in conjunction with about twenty other efforts I was making simultaneously during that same period to rescue myself, and I hope to never have to take such drugs again. Though one doctor did suggest that I might have to go on and off antidepressants many times in my life because of my "tendency toward melancholy." I hope to God he's wrong. I intend to do everything I can to prove him wrong, or at least to fight that melancholic tendency with every tool in the shed. Whether this makes me self-defeatingly stubborn, or self-preservingly stubborn, I cannot say.

But there I am.

- An excerpt taken from Eat, Pray, Love by Elizabeth Gilbert

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Chapter 16 23 May 2010 |

Depression and Loneliness track me down after about ten days in Italy. I am walking through the Villa Borghese one evening after a happy day spent in school, and the sun is setting gold over St Peter's Basilica. I am feeling contented in this romantic scene, even if I am all by myself, while everyone else in the park is either fondling a lover or playing with a laughing child. But I stop to lean against a balustrade and watch the sunset, and I get to thinking a little too much, and then my thinking turns to brooding, and that's when they catch up with me.

They come upon me all silent and menacing like Pinkerton Dectectives, and they flank me—Depression on my left, Loneliness on my right. They don't need to show me their badges. I know these guys very well. We've been playing a cat-and-mouse game for years now. Though I admit that I am surprised to meet them in this elegant Italian garden at dusk. This is no place they belong.

I say to them, "How did you find me here? Who told you I had come to Rome?"

Depression, always the wise guy, says, "What—you're not happy to see us?"

"Go away," I tell him.

Loneliness, the more sensitive cop, says, "I'm sorry, ma'am. But I might have to tail you the whole time you're travelling. It's my assignment."

"I'd really rather you didn't," I tell him, and he shrugs almost apologetically, but only moves closer.

Then they frisk me. They empty my pockets of any joy I had been carrying there. Depression even confiscates my identity; but he always does that. Then Loneliness starts interrogating me, which I dread because it always goes on for hours. He's polite but relentless, and he always trips me up eventually. He asks if I have any reason to be happy that I know of. He asks why I am all by myself tonight, yet again. He asks (though we've been through this line of questioning hundreds of times already) why I can't keep a relationship going, why I ruined my marriage, why I messed things up with David, why I messed things up with every man I've ever been with. He asks me where I was the night I turned thirty, and why things have gone so sour since then. He asks why I can't get my act together, and why I'm not at home living in a nice house and raising nice children like any respectable woman my age should be. He asks why, exactly, I think I deserve a vacation in Rome when I've made such a rubble of my life. He asks me why I think that running away to Italy like a college kid will make me happy. He asks where I think I'll end up in my old age, if I keep living this way.

I walk back home, hoping to shake them, but they keep following me, these two goons. Depression has a firm hand on my shoulder and Loneliness harangues me with his interrogation. I don't even bother eating dinner; I don't want them watching me. I don't want to let them up the stairs to my apartment, either, but I know Depression, and he's got a billy club, so there's no stopping him from coming in if he decides that he wants to.

"It's not fair for you to come here," I tell Depression. "I paid you off already. I served my time back in New York."

But he just gives me that dark smile, settles into my favourite chair, puts his feet on my table and lights a cigar, filling the place with his awful smoke. Loneliness watches and sighs, then climbs into my bed and pulls the covers over himself, fully dressed, shoes and all. He's going to make me sleep with him again tonight, I just know it.

- An excerpt taken from Eat, Pray, Love by Elizabeth Gilbert

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Eleanor Rigby by The Beatles 7 Feb 2010 |

Ah, look at all the lonely people
Ah, look at all the lonely people

Eleanor Rigby picks up the rice in the church where a wedding has been
Lives in a dream
Waits at the window, wearing the face that she keeps in a jar by the door
Who is it for?

All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?

Father McKenzie writing the words of a sermon that no one will hear
No one comes near
Look at him working, darning his socks in the night when there's nobody there
What does he care?

All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?

Ah, look at all the lonely people
Ah, look at all the lonely people

Eleanor Rigby died in the church and was buried along with her name
Nobody came
Father McKenzie wiping the dirt from his hands as he walks from the grave
No one was saved

All the lonely people (Ah, look at all the lonely people)
Where do they all come from?
All the lonely people (Ah, look at all the lonely people)
Where do they all belong?

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Set The Fire To The Third Bar by Snow Patrol featuring Martha Wainwright 4 Feb 2010 |

I find the map and draw a straight line
Over rivers, farms, and state lines
The distance from A to where you'd be
It's only finger lengths that I see
I touch the place where I'd find your face
My finger's in creases of distant dark places

I hang my coat up in the first bar
There is no peace that I've found so far
The laughter penetrates my silence
As drunken men fight flaws in science
The words mostly noises, ghosts with just voices
Your words in my memory are like music to me

And miles from where you are
I lay down on the cold ground and I,
I pray that something picks me up and
Sets me down in your warm arms

After I have travelled so far
We'd set the fire to the third bar
We'd share each other like an island
Until exhausted close our eyelids
And dreaming pick up from the last place we left off
Your soft skin is weeping a joy you can't keep in

And miles from where you are
I lay down on the cold ground and I,
I pray that something picks me up and
Sets me down in your warm arms

And miles from where you are
I lay down on the cold ground and I,
I pray that something picks me up and
Sets me down in your warm arms

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Fields Of Gold by Sting 25 Nov 2009 |

You'll remember me when the west wind moves
Upon the fields of barley
You'll forget the sun in his jealous sky
As we walk in fields of gold

So she took her love for to gaze awhile
Upon the fields of barley
In his arms she fell as her hair came down
Among the fields of gold

Will you stay with me, will you be my love
Among the fields of barley
We'll forget the sun in his jealous sky
As we lie in fields of gold

See the west wind move like a lover so
Upon the fields of barley
Feel her body rise when you kiss her mouth
Among the fields of gold

I never made promises lightly
And there have been some that I've broken
But I swear in the days still left
We'll walk in fields of gold
We'll walk in fields of gold

Many years have passed since those summer days
Among the fields of barley
See the children run as the sun goes down
Among the fields of gold

You'll remember me when the west wind moves
Upon the fields of barley
You can tell the sun in his jealous sky
When we walked in fields of gold
When we walked in fields of gold
When we walked in fields of gold

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Russian Roulette by Rihanna 24 Nov 2009 |

Take a breath, take it deep
Calm yourself, he says to me
If you play, you play for keeps
Take the gun, and count to three
I’m sweating now, moving slow
No time to think, my turn to go

And you can see my heart beating
You can see it through my chest
That I’m terrified but I’m not leaving
I know that I must pass this test
So just pull the trigger

Say a prayer to yourself
He says close your eyes, sometimes it helps
And then I get a scary thought
That he’s here means he’s never lost

And you can see my heart beating
You can see it through my chest
That I'm terrified but I'm not leaving
Know that I must pass this test
So just pull the trigger

As my life flashes before my eyes
I’m wondering will I ever see another sunrise
So many won’t get the chance to say goodbye
But it’s too late to think of the value of my life

And you can see my heart beating
You can see it through my chest
That I'm terrified but I'm not leaving
Know that I must pass this test

You can see my heart beating
You can see it through my chest
That I'm terrified but I'm not leaving
Know that I must pass this test
So just pull the trigger

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I Will Follow You Into the Dark by Death Cab for Cutie 2 Oct 2009 |

Love of mine, someday you will die
But I'll be close behind
I'll follow you into the dark
No blinding lights or tunnels to gates of white
Just our hands clasped so tight
Waiting for the hint of a spark

If Heaven and Hell decide that they both are satisfied
Illuminate the 'NO's on their vacancy signs
If there's no one beside you when your soul embarks
Then I'll follow you into the dark

In Catholic school as vicious as Roman rule
I got my knuckles bruised by a lady in black
And I held my tongue as she told me, "Son, fear is the heart of love."
So I never went back

If Heaven and Hell decide that they both are satisfied
Illuminate the 'NO's on their vacancy signs
If there's no one beside you when your soul embarks
Then I'll follow you into the dark

You and me have seen everything to see
From Bangkok to Calgary
And the soles of your shoes are all worn down
The time for sleep is now
But it's nothing to cry about
'Cause we'll hold each other soon
In the blackest of rooms

If Heaven and Hell decide that they both are satisfied
Illuminate the 'NO's on their vacancy signs
If there's no one beside you when your soul embarks
Then I'll follow you into the dark
Then I'll follow you into the dark

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